Awards
2022 Emmy Award Commercial Campaign - “Children’s Pictures of Hope” (Mid-America NATAS )
2022 Silver Telly Award, General Branded Content - “Cigna Mental Health”
2021 Emmy Nomination, Commercial Campaign - “Mercy Ortho” (Mid-America NATAS)
2020 Emmy Nomination, Cinematography, Program - “The Wagon” (Mid-America NATAS)
2019 Emmy Awards (2), Commercial Campaign and Commercial Single Spot
2019 Best Cinematography in Narrative Films, 2019 St. Louis Filmmaker’s Showcase, The Wagon
2019 Gold Telly Award for Cinematography, “The Story of Catherine McAuley”
2019 Best Cinematography, Riverside California International Film Festival, The Wagon
2018 Best Cinematography in a Short Film, Glendale International Film Festival, The Wagon
2018 (June) Best Cinematography, Los Angeles International Film Festival Awards, The Wagon
2018 (June) Finalist, European Cinematography Awards, The Wagon
2018 Emmy Awarded to Mercy & 90W, Best Broadcast Commercial, (Brant Hadfield Director of Photography - Mid-America NATAS)
2017 Emmy Award for Best Commercial Campaign (Director of Photography - Mid-America NATAS)
2017 Silver Addy Award, Mercy: Worthy of the Name
2017 Sixteen (16) National Telly Awards to Mercy for work shot as DP
2016 Emmy Awarded to Mercy & 90W, Best Broadcast Campaign, (Brant Hadfield Director of Photography - Mid-America NATAS)
2015 Emmy Award for Best Documentary Program, The Battle of Island Mound (Mid-America NATAS)
2015 Emmy Award for Best Cinematography in a Program, The Battle of Island Mound (Mid-America NATAS)
2014 Best Short Film - Harlem International Film Festival, The Battle of Island Mound
2014 Best Cinematography - St. Louis Filmmaker's Showcase, The Battle of Island Mound
2014 Silver Addy Awards, (3) including Cinematography & Editing, The Battle of Island Mound
2014 Audience Choice Award - MX Fest, The Battle of Island Mound
2012 Gold Addy Award (STL Region), Cinematography, Demo Reel
2012 Bronze National Telly's, Director of Photography, National broadcast spots
2011 Best Dramatic Short Film - St. Louis Filmmaker's Showcase, Showdown
2011 Best Cinematography - Wild Rose Independent Film Festival, The Last Legend
2010 Best Cinematography - Festivus Film Festival, Denver, CO, The Last Legend
2010 James B. Story American Experience Award - Lonestar Film Festival, The Last Legend
2009 Best Dramatic Short Film - St. Louis Filmmaker's Showcase, The Last Legend
Bio
Both Roger Deakins, ASC, BSC, and the late Vilmos Zsigmund, ASC have inspired Brant’s techniques and approach to cinematography. Brant is passionate about creating beautifully cinematic, images that evoke emotion, tell a story, and compels an audience. He loves what he does, and it shows.
In commercial work, Brant’s visual style helped create the award winning brand identity for a major American health system, receiving regional Emmy awards for multiple years' campaigns. His commercial client list includes Purina, AT&T, Cox Communication, McDonald's, Alamo, Caterpillar, Stihl, Enterprise, FirstBank, and the U.S. Army.
His narrative work has won cinematography awards across the US and in Europe. He wrote, directed, shot, and edited The Battle of Island Mound, winning Emmys for best cinematography and best documentary. The film depicts the first-ever battle fought by African-American soldiers in the Civil War. The Battle of Island Mound went on to win 7 awards, including two regional Emmys.
While continuing to DP narrative and commercial projects, Brant has also been serving as a camera operator on Fox’s highest rated broadcast program, 9-1-1, during seasons five and six. The program, referred to as a police procedural, stars Anglela Bassett and Peter Kraus, and is well known for its action-packed, stunt-heavy sequences.
From the very beginning, meticulous attention to detail and a passion for visual storytelling is the foundation of how Brant goes about his craft.
Basic Gear List
Arri Alexa Mini (4:3 Anamorphic license, Arri Raw License)
Movi15
1A Alpha Wheels Remote
Teradek Bolt Pro 300
Phantom 4 Pro drone